One of a kind.
Made by hand.
Never made twice.
I source wood for its character, not its yield — the ambrosia streaking, the burl, the live edge. Then I cut to keep it. Every piece here exists in exactly one unit.
Available right now
Finished and ready to ship
Each of these is the only one. When it sells, that exact piece is gone — I can build something similar, but I can't build this again.
Black Walnut End-Grain Cutting Board
Cedar Coaster Set of Four
Black Locust Serving Tray
White Ash Engraved Sign
Black Walnut Live-Edge Floating Shelf
Why every piece is different
I source for character
A mill cuts lumber to maximise usable board feet, which means the interesting parts — the figure, the burl, the beetle marks — get cut away as waste. I do the opposite.
I build every piece myself
Rough lumber to finished piece, all of it passes through my hands in one shop in Erin. Nothing is outsourced and nothing is drop-shipped.
Nothing is ever repeated
No two boards come out the same because no two pieces of wood are the same. Every listing is quantity one, and that isn't a marketing decision.
Start from the wood
One of a kind slabs
Raw pieces waiting to become something. You pick the slab, we work out together what it should be, and I build it.
Black Walnut Live-Edge Slab
The best piece on the rack right now. The void near one end wants resin.
Black Locust Burl
Swirled burl figure across the whole face. I'd keep the irregular outline.
White Ash Slab
The best canvas I have for engraving, and the cheapest way in.
The maker
One person. Every piece.
I'm Dan. I build out of a shop in Erin, Ontario, and I build alone. Every piece that leaves here passed through my hands from rough lumber to finished product.
I'm not trying to compete on volume. I'm trying to find wood worth keeping and make something out of it that someone will still have in thirty years.
More about the shopCustom work
How a commission works
It's a conversation, not a form. Here's the whole thing.
Pick a slab, or tell me your idea.
Start from a piece of wood you like, or just describe what you're after and I'll tell you what I've got.
We talk it through.
I'll tell you honestly what's possible with that exact piece, and what isn't. Some ideas the wood won't support.
I send a real quote.
Three options — minimal, recommended, and premium — so you can see what your money is actually buying.
Deposit, then I build.
Half up front. Three to four weeks for most projects. I'll send progress photos as it comes together.
Final photos, then it ships.
You see it finished before it leaves the shop. Shipping is free, and it's insured.
What people say
"I asked for something for our tenth anniversary and Dan talked me out of my first idea, which was the right call. The board is better than what I'd pictured."
— Megan R."Photos genuinely don't do the walnut justice. It arrived wrapped like it was breakable and it's the nicest thing in our kitchen."
— James T."He sent progress pictures the whole way through the build. Felt like I was in on it rather than just waiting for a box."
— Priya S.Journal
Notes from the shop
What I've learned about the wood and the work, written between builds.
What ambrosia maple actually is, and why mills throw it away
Those grey-blue streaks are the record of a beetle and the fungus it farmed. Here's what actually happened inside the tree, and why it's the most requested thing I make.
How to size a charcuterie board so it actually gets used
The most common mistake I see isn't buying the wrong wood. It's buying a board that's beautiful and slightly too small for the way you actually entertain.
Living with a river table: what nobody tells you before you commission one
Resin behaves differently from wood, and the two are bonded together for the life of the piece. Here's what that means in a real house — heat, sunlight, scratches, and the honest trade-offs.
Get first look at new pieces
New slabs and finished pieces go out to the list before they hit the shop. One email when something good comes off the bench. Nothing else.
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